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2021 in PreSonus Hub / Plugins by christopherangelos (140 points) broken download link +15 votes 12 answers 2,248 views How do I obtain the new Analog Effects Collection? asked Jan 19, 2021 in PreSonus Hub / Plugins by juanhernandez11 (240 points) studio one plugins installation vst plugins 0 votes 0 answers 247 views Studio One 4 won't upgrade to new analog delay after I purchased the new one . asked Apr 3, 2021 in PreSonus Hub / Plugins by mikefoshee (170 points) –1 vote 0 answers 579 views Ampire Signal is way too HOT! asked Mar 19, 2021 in PreSonus Hub / Plugins by Shon74 (110 points) studio one 5 audiobox audiobox usb problem settings ampire recording input peaking hot 0 votes 0 answers 287 views Audio Box USB 96 multiple connect asked Mar 16, 2021 in PreSonus Hub / Plugins by (120 points) 0 votes 1 answer 456 views Mastering / Loudness problem? asked Feb 22, 2021 in PreSonus Hub / Plugins by mollyjanetmollyjanet (140 points) studio one problem feature request –1 vote 2 answers 770 views How does Reason 11 recognize plugins activated via Presonus Hub? asked Jul 11, 2020 in PreSonus Hub / Plugins by chaddenaux (110 points) presonus hub sphere ampire reason +3 votes 0 answers 903 views VU meter not triggering in my DAW asked Feb 16, 2021 in PreSonus Hub / Plugins by carlosdematos (190 points) vu meter plugin logicprox 0 votes 1 answer 636 views If I uninstall and resinstall Ampire, will that

Amplitube, Line 6's Helix Native and the like. Most of the amps here can be wrangled into useful sounds, but a lot of the presets are terrible, and Ampire doesn't do Fender's own catalog of iconic amplifiers many favors. I don't think you'll find a lot of folk out there who'd make Ampire their first choice as it stands – it's a decent effort from a DAW company, but now that it's owned by a guitar company, it's ripe for an overhaul. Studio One 4.6: The new Ampire Secondly – and this may seem like an insignificant point – Studio One takes a kind of nerdy approach to visuals. Most of its effects are presented as bland, grey boxes full of knobs and graphs. Highly efficient and usable, but they don't exactly contribute to a creative vibe late at night. This is something I find Logic does a bit better, without going overboard into wacky graphics, and maybe it's something worth putting a bit more time into. A studio should have a slight feel of magic about it, and that doesn't need to stop at the rug and the lava lamps. Then there's presets in general. For a user at my novice level, I find Logic's presets a little more useful, often getting me closer to a nice sound in a click or two, particularly when it comes to the EQ and compression settings. For whatever reason, I usually seem to need to fiddle around more in Studio One. Now, this is probably the right way to do things – slapping presets onto your tracks is a terrible habit if you're actually trying to become a better mixer. But some of us need quick 'n' dirty results we can fire out to collaborators sounding a bit polished. It's the sort of thing you can get around by creating your own presets – and S1 offers a spectacular range of ways to customize just about every part of its interface, including the ability to set up (or download somebody else's) entire project templates, or to create track presets so that you can immediately add, say, a new guitar track with your favorite amp and pedalboard already in place. Which is great once you're up to speed, but it doesn't replace a super-effective set of stock presets that numpties like me can bang a button on and get straight onto something else. Standard plugins are highly functional and easy to use... But not super inspiring to look atLoz Blain/New Atlas One other thing I missed was Logic's uncanny AI drummer, which is a very neat little songwriting tool that does a great job of creating a variety of different drum grooves to suit the time signature and feel you're writing in. You can move the beat dynamically around a louder/softer/more complex/less complex matrix, dial in the right amount of swing, and decide how often the drummer should go off-script and throw in some fills. You don't get exactly what you want, but

This blog is part of our new series of tutorials based on the Ampire plugin included in the latest update of PreSonus Studio One 5.4Want to learn how to use PreSonus Studio One in real time, with a professional digital audio trainer? It’s faster than blogs, videos, or tutorials. Call OBEDIA for one on one training for PreSonus Studio One and all digital audio hardware and software. Mention this blog to get 15 bonus minutes with your signup! Call 615-933-6775 and dial 1, or visit our website to get started.Need a Pro Audio laptop or Desktop PC to run PreSonus Studio One software and all of its features at its best?Check out our pro audio PCs at PCAudioLabs.Clean Guitar Tone in AmpireAmpire is the ultimate guitar tone and gear emulation solution included in Studio One as one of their proprietary plugins.This plugin is capable of emulating the amplifier, cabinet, microphones, pedals and even the tuner you would have as part of your guitar rig.Today we are going to apply our knowledge in Ampire to obtain a pure Clean Guitar Tone.Here we go!Open or create a new Studio One SongFor the purpose of this tutorial we have a Song that contains a single audio track with an electric guitar DI signal recorded to it.Ampire is designed to be added as a plugin (insert) on tracks that only contain DI signals.2. Add Ampire plugin to the DI guitar track (audio track):So by default, the MCM800 amp is added, which is NOT a clean sounding amp. Let’s go ahead and switch it to a Blackface Twin.2. Switch the Amplifier to the Blackface Twin:The guitar is now way cleaner. However, the cabinet can still be improved…3. Select the 2×12 Blackface cabinet to match the amplifier:Now, we can also tweak the amplifier head to find a cleaner tone.4. Switch the “Bright” button ON:This will give us more top-end on the frequency spectrum.Let’s go ahead and tweak the equalizer section of the amp too. Reduce the low end, boost the mids and a touch of the treble.You might want to try these settings:Bass: 3Middle:7Treble: 65. Add

Those settings to the EQ section:The reverb is currently set to 3. We can go ahead and crank it up to 4.6. Adjust the reverb amount to 4:This makes the “tail” of the sound a little more pleasant.7. Finally, eliminate all the vibrato:Eliminating the vibrato will yield more natural sounds.Additionally, you could add a touch of delay with the Delay pedal, but this is totally optional:And that’s it! Now you have the standard radio-ready Clean Guitar Tone in Ampire!Go ahead and experiment with this plugin and get that perfect guitar tone you are looking for!Using Presonus Studio One 5.4 software to produce music would be ideal with one of our professionally designed PCAudioLabs Systems due our high-performance specifications in order to work with any of the Digital Audio Workstations supported. If you would like to order one of our PCAudioLabs computers, please call us at 615-933-6775 or click this link for our website. Get New Posts Delivered Right to Your Inbox

Sprinkle over a mix – a can of mojo to tip in the pot.When it comes to recording, mixing and production, well, you can attack these tasks from a range of levels, from treating Studio One like a simple, functional Garage-Band-style interface, to using it as a "scratch pad" looper, all the way through to running multiple effects sends and audio buses, grouping and color-coding everything within an inch of its life, automating more or less any parameter throughout a song, and syncing the resulting song up with an editable video track within the DAW. Oh, and with the Plus subscription edition, there's also a powerful facility for online collaboration. Plus edition gives you access to cloud storage, collaborative workspaces, live workshops and masterclasses, and a monster trove of plugin and content downloadsPresonus Once your tune is mixed, Studio One gives you a workflow you can use to master individual songs or entire albums, including optimizing tracks for specific streaming services and media sites. There's another workflow that takes what you've recorded and creates a live performance session, so you can play whichever parts you like live, with lyrics popping up as an autocue if you like, and the rest of the recorded parts all playing back in sync, giving you a fully mixed front-of-house output. That's not all; you can also set it up to be super-flexible, letting you skip between sections of songs on the fly, in case you decide on a whim to unleash a 200-bar epic kazoo solo over the verse form, for example. I didn't get to this point yet, and may never – but like so many other features, it's there if you want it. Be prepared for some sizeable drop-down menus. This ain't nothing compared to some of 'emPresonus Over a period of months, I've noodled around and watched enough videos to feel at home in this DAW. I can get what I'm looking for most of the time using Studio One's own built-in effects plugins, with the odd exception, and while it's still an intimidatingly huge piece of software – as evidenced by the massive drop-downs you can get by right-clicking nearly anywhere – I've learned my way around to a degree. To demonstrate, here's a session for a short, weird song I've been working on with lots of automation, binaural panning and jiggery-pokery. Watch as I click around in a confused manner, trying and failing to show you some of the DAW's features but mainly succeeding in being very distracting. Studio One: Make a Wish There are some things I've found annoying along the way. For starters, the built-in Ampire guitar amp and effect modeling plugin is one place where Fender, as a guitar-centric company, could really make some improvements. Ampire offers a number of familiar-looking amp and cab options, along with different simulated mics and a range of chainable effects pedals. It's not terrible, it just feels dated next to today's state-of-the-art – plugins like Neural DSP's Archetypes, IK Multimedia's