Double tonguing trumpet

View previous topic :: View next topic Author Message Derek WatsonRegular MemberJoined: 13 Jul 2010Posts: 46Location: Salem - Portland, Oregon Posted: Tue Jul 26, 2011 2:33 pm Post subject: Doodle Tonguing Does anyone use this particular technique? I know Clark Terry uses it and I found a video that supposedly featured him explaining how, but that wasn't the case. I know it's widely used on Trombone, but cannot find much info for Trumpet. Have any of you tried this and if so what are your thoughts and experiences?Thanks, Derek_________________DWHolton T-101Yamaha YTR8310ZGR 3MGR 63Z** Back to top iWinlandVeteran MemberJoined: 03 Jan 2009Posts: 136Location: Columbus, OH Posted: Tue Jul 26, 2011 2:48 pm Post subject: I know there are a couple of books on doodle tonguing... But every time I try it just is way to sloppy._________________Ike Back to top dershemHeavyweight MemberJoined: 14 Jun 2007Posts: 1928Location: San Diego, CA Posted: Wed Jul 27, 2011 8:43 am Post subject: I don't do it much, mostly because it would take years of practice to get it to feel as natural as other styles do, and I'm not young any more. But it is much easier on low brass than on trumpet, at least for me._________________BKA! Mic Gillette was my mentor and friend.Marcinkiewicz Mic G. trumpet, Custom Marcinkiewicz mpc. (Among others)Marcinkiewicz Rembrandt flugel, Benge 8Z cornet, King 2B, Bach 36, Benge 190, Getzen 3062... many more. All Marc. mouthpieces. Back to top Derek WatsonRegular MemberJoined: 13 Jul 2010Posts: 46Location: Salem - Portland, Oregon Posted: Wed Jul 27, 2011 3:07 pm Post subject: Do you know the names of any of those books?_________________DWHolton T-101Yamaha YTR8310ZGR 3MGR 63Z** Back to top Nos Mo KingVeteran MemberJoined: 10 Feb 2008Posts: 438Location: Cheyenne WY Posted: Wed Jul 27, 2011 4:56 pm Post subject: Trombone book but it is great. or Doodle tonguing seems better applied to larger mouthpieces, IMO, but it is a skill that can be learned on the higher horns.....Would be rather unusual to hear Maurice Andre doodle tongue his way through the piccolo part on the Brandenberg, however.Practice with a Harmon mute and any imperfection is amplified. goodle luck._________________Russ Chapman______________________________ Back to top ambassador hot dogRegular MemberJoined: 15 May 2010Posts: 95 Posted: Wed Jul 27, 2011 5:50 pm Post subject: Some things I've tried:Practicing repeating "little" as quickly as possible. (littlelittlelittlelittlelittlelitle). Just speaking, not on the trumpet.It's basically very very light double-tonguing. On the horn, I've practiced the Arban double-tonguing exercises very lightly/quickly. Also, I've found that if I puff my cheeks, I can doodle/double tongue extremely rapidly._________________"Shall I project a world?" Back to top sweetsVeteran MemberJoined: 13 Jan 2005Posts: 337 Posted: Thu Jul 28, 2011 12:44 pm Post subject: It's not something you can learn from

Articulation gives definition to the notes of a musical phrase. As in painting, the edges of the notes can be sharp and well-defined or they may have a softer edge. Good musicians consciously adjust the articulation style for a particular passage; any variation in the articulation will be intentional rather than the result of inconsistent technique.Single Tonguing As you are probably already aware, single tonguing is used when the notes are at a slow enough tempo that the tip of the tongue has time to return to the hard palate (roof of the mouth, toward the front) for each new note, resulting in tou tou tou tou tou tou. As notes become faster than players can single tongue, students will alternate tou with kou. This alternation is called multiple tonguing. Many method books spell the tonguing syllables tu and ku. The most popular pedagogical source of these syllables was a book written by Jean- Baptiste Arban, a Frenchman. For this reason, the pronunciation of these syllables should be understood in that language, and they should rhyme with boo. This article will spell them tou and kou to emphasize the correct pronunciation. The tou and kou syllables allow a quicker double and triple tongue than American approximation tuh and kuh. The pure tou is pronounced more towards the front of the mouth, while kuh is pronounced in the back of the mouth. The efficiency of the tou will create a smoother, quicker articulation for your students. Try having your players pronounce tou tou tou tou tou out loud, keeping a seamless, steady sound. Have them keep the air flow constant – the tongue simply intersects the airflow to create the articulation at the beginning of the note. The tongue never stops the air; it merely interrupts a continuous airflow. Now have them try the same thing with kou. They should use the very tip of their tongue to pronounce tou, and the front middle portion to pronounce kou. Once they have practiced these syllables out loud to a high level of consistency, have them try the same thing on their instrument.Multiple Tonguing Once students have established a fast and consistent single-tonguing on both syllables, they are ready to begin multiple tonguing. You will actually have them start with triple tonguing, since this does not require them to switch between tou and kou on every single note. Once they get a firm grasp of how to triple tongue tou-tou-kou, they will be better equipped to handle the rapid alternation of the tou-kou in double tonguing. Triple tonguing combines the syllables of double tonguing in a three-note pattern. If triple tonguing has already been established, you simple have to drop a syllable for double tonguing. Like single tonguing, multiple tonguing must be practiced slowly and carefully to maintain good control at every speed. In multiple tonguing, kou is the weakest syllable, simply because students have used tou since their beginning days. Now that players have learned multiple tonguing, practice articulating slow passages using

Can choose from white petunias that are “pure white” or many varieties with hints of yellow or pink to add interest.Here are some of the best examples of white petunia flowers:Petunia Prism SunshinePetunia ‘Prism Sunshine’White petunia flowers with hints of yellow and green are the main feature of the petunia prism sunshine. The large trumpet flowers have white petals with green veining and golden yellow centers. Ideal as bedding plants or container flowers.Petunia Blanket Double WhitePetunia Blanket Double WhiteThe petunia Blanket ‘Double White’ has outstanding ruffled double blooms with wavy edges. The ball-like white petunia flowers create an eye-catching floral display growing en mass against the dark green foliage.Here are some more examples of white petunias:Easy Wave White—Pure white trumpet flowers growing in spreading mounds or trailing from hanging baskets.Easy Wave white petuniaDamask White—Snow-white funnel flowers with a slightly green-colored center.Shock Wave Coconut—A mounding petunia that grows masses of pure white small petunia flowers. Ideal as ground cover or in mixed containers.Limbo GP White—Dainty white flowers grace this low-growing petunia, and its dwarf growth habit creates a mat of white blooms as it spreads.Carpet Buttercream—Creamy white showy petunia flowers with pronounced green veins between the fused petals.Types of Pink Petunia FlowersPink petunias have some of the largest varieties of colorful flowers for your garden landscape. Some outstanding pink petunias are trumpet-shaped flowers with pink petals and yellow or white veins and centers. Because there are so many shades of pink flowers to choose from, you will find pink petunias for mixed borders, hanging baskets, window boxes, and container gardens.Here are some of the best examples of pink petunia flowers:Pink Sky Petunia Petunia ‘Pink Sky’‘Pink Sky’ petunias have gorgeous mounds of pink trumpet flowers with white speckling. The dramatic white and pink flower colors and masses or large funnel-shaped flowers make this cultivar a popular container, window box, and mixed bedding plant.Double Cascade Pink PetuniaDouble cascade pink petuniaThe large grandiflora pink petunia flowers are ruffled double flowers that look like carnations and grow up to 4” (10 cm) wide. The showy double cascade petunia flowers have many colors, including light pink, deep red, purple, and lilac.Petunia Tidal Wave SilverPetunia Tidal Wave Silver‘Tidal Wave Silver’ from the Wave collection of petunias has light pinkish-lavender flowers with remarkable dark purple veins. The center of the flowers is dark which adds to the flower’s dramatic look. These spreading pink petunias are perfect for hanging baskets or cascading over walls.Here are more examples of pink petunia flowers:Easy Wave Pink Passion—One of the most popular spreading annuals, the ‘Pink Passion’ has bright hot pink flowers with dark pink centers and veins.Carpet Pink Morn—Light pink trumpet flowers with white centers and a greenish-yellow throat.Carpet Pink—Heat-resistant, compact pink

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