Character mixer

Chuck B.B. ... background graphics (as Chuck BB) Matthias Bauer ... additional background layout Noel Belknap ... additional story artist Pablo Bermudez ... lead character clean up Serapio Calm ... additional character design Joey Capps ... story artist (as Joey Cappabianca) Luke Cormican ... head of story Victor Courtright ... story artist Laura A. Dalesandro ... additional character clean up (as Laura Dalesandro) Anand Duncan ... additional prop design George Fort ... additional background layout Marina Gardner ... lead character designer David Gemmill ... story artist Sean Kreiner ... story artist James Krenzke ... story artist Hayk Manukyan ... additional character design Geoff Marian ... story artist Joey McCormick ... background layout Jeff Mednikow ... story artist Tony Mora ... background color Rick Morales ... additional character design Patrick O'Connor ... background layout Bridget Ore ... prop design Jonathan Renoni ... background layout lead Norm Ryang ... 3d prop design (as Norman Ryang) Jonard Soriano ... models: sketch up Dave Stone ... story artist Junpei Takayama ... lead character designer Chad Townsend ... prop designer Adam Van Wyk ... additional story artist Katrien Verbiest ... background color Chad Townsend ... prop artist (uncredited) Sound Department Devon Bowman ... dialogue recordist G.W. Brown ... supervising dialogue/adr editor Charlie Campagna ... sound effects recording Jeff O. Collins ... recording machine operator Evan Dockter ... sound editor Kelly Foley Downs ... supervising dialogue editor David E. Fluhr ... re-recording mixer: C.A.S. Alan Freedman ... dialogue recordist Luke Gibleon ... sound effects editor Gary A. Hecker ... foley artist (as Gary Hecker) Mark Keatts ... dialogue editor (as Mark A. Keatts) Wilson Martinez ... track reader Ryan McCabe ... marketing re recording mixer Rob McIntyre ... sound effects editor Duncan McRae ... mix technician Stacey Michaels ... dialogue recordist Eric Morris ... dialogue recordist Peter Munters ... dialogue recordist Chris Navarro ... adr mixer: C.A.S. Jason Oliver ... dialogue recordist Rick Owens ... foley artist George Peters ... dialogue recordist Charles W. Ritter ... sound editor Gregg Rudloff ... re-recording mixer Fred Salinas ... track reader Pernell L. Salinas ... first assistant sound editor Randy Singer ... foley mixer Paul Stevenson ... foley artist Greg ten Bosch ... sound effects editor (as Greg Ten Bosch) Todd Toon ... sound designer / supervising sound editor Ryan Young ... dialogue recordist Thomas J. O'Connell ... dialogue recordist (uncredited) Brandon J. Perry ... recording engineer (uncredited) Visual Effects by Matt Alex ... compositor: Copernicus Studios Inc. Jordan Barnes-Crouse ... compositor: Titmouse Inc. Laine Butler ... compositor: Titmouse Inc. / digital compositor Francis Caceres ... compositor: Snipple Animation Studios Hans Manfred Cahapisan ... compositor: Snipple Animation Studios Peter Cromwell ... compositor: Deluxe Steven Crowe ... visual effects producer

Artist Ross Stewart ... concept art Nora Twomey ... head of story Sound Department Nostradine Benguezzou ... re-recording mixer Julien Billeau ... foley artist Guillaume Boissot ... sound recordist Felix Davin ... sound designer Marie Doyeux ... re-recording mixer Garret Farrell ... dialogue recordist Jorge García Bastidas ... re-recording mixer Alexandre Jaclain ... sound designer Jonathan Martins ... assistant re-recording mixer Tijn van de Wetering ... dubbing mixer: Dutch version Visual Effects by François Crèvecoeur ... visual effects artist Eric Dupont ... visual effects supervisor Pascal Nowak ... colorist Jeremy Purcell ... visual effects supervisor Marc Umé ... visual effects supervisor Animation Department Bille Storm Andersen ... layout artist (as Niklas Kragh Andersen) Sandra Norup Andersen ... character designer Virgile Bage ... animator Louise Bagnall ... posing artist Clara Baidel ... assistant animator Rosa Ballester Cabo ... character designer Danas Bereznickas ... animator (as Danas Berznitsky) Alfredo Cassano ... animator Alice Dieudonné ... key background artist Dionysis Douliakas ... animator / assistant animator Ciaran Duffy ... key background artist Mikkel Mainz Elkjær ... clean-up artist Victor Ens ... senior animator Fabian Erlinghauser ... animation director Giovanna Ferrari ... animator Denis Figueiredo ... animator Tomislav Findrik ... animator Walter Giampaglia ... animator Geoff King ... animator Kenneth Ladekjær ... clean-up artist Elio Lischetti ... assistant animator Santiago Lopez Jover ... animator (as Santiago López) Ole Christian Løken ... animator Donal Mangan ... efx animator Sean McCarron ... animator Allan Michaut ... animation intern Stéphanie Pavoine ... animator Benoit Pirenne ... compositing Marick Queven ... assistant animator Andrzej Radka ... key animator / lead posing artist Slaven Reese ... animator Svend Rothmann Bonde ... animator Marion Roussel ... animator Rachel Schmieg ... animation intern Alessandra Sorrentino ... animator Janos Szabo ... animator Stine Sæthre ... animator Louise Bergholt Sørensen ... animator Marie

To the Carrier sound. See the Carrier Synthesizer section below for more details. Keyboard - If Vocodex is focused it will respond to your MIDI controller. When using a MIDI controller the keyboard will hold keys/chords until the next note/chord is played. Alternatively you can use your mouse on the Vocodex piano keyboard to latch keys on/off. Operation - Make sure Vocodex is focused (click on Vocodex to focus it) then play the project or speak into your microphone while manipulating the keyboard (mouse or MIDI controller), and you should sound like a Cylon, Daft Punk or just plain annoying to family members. NOTE: The internal Carrier mode is aimed at live use since Vocodex does not respond to Piano roll notes. There is no path from the Piano roll or Step Sequencer to Effects plugins. See the Carrier Synthesizer section below for more details on how to replicate the internal Carrier sounds with Sytrus.Production Method - External Modulator & Carrier The 'Production' method allows an external plugin to provide the Carrier sound under the control of the Piano roll / Step Sequencer or MIDI keyboard. This method is intended for serious music production and vocoding duties. Vocodex can receive Modulator and Carrier signals from any of the other Mixer tracks (via sidechain sends) or from sound passing through Vocodex's own track (set the selector to 0). The default input selector setting assumes the Modulator comes from a Mixer track sidechained to Vocodex's track and the Carrier is routed to Vocodex's Mixer track: Load - Vocodex in a Mixer track effect slot (don't use the Master if you are planning to add other instruments to the project). MOD Mixer track - Identify and label a Mixer track as 'MOD'. Use a track other than Vocodex's Mixer track. The MOD Mixer track will contain the Modulation signal (usually speech, vocals, a live microphone input). MOD input - With the Modulation source Mixer track selected, Right-click on the Vocodex mixer track send switch and select Sidechain to this track only, to deselect the send to master switch and prevent the Modulator audio passing to the Master track. CAR input - Route the Carrier signal to Vocodex's Mixer track. The Channel Settings FX selector, of the plugin providing the Carrier sound, should match Vocodex's Mixer track number. Carrier sound - The most effective Carriers (the sound you hear) are those covering the whole frequency range. Thick lush synth sounds often make good Carriers. Try mixing in some noise from the NOISE slider if you need to hear speech (s & t sounds) vocoded more clearly. Remember, the vocoder acts like a series of gates allowing through those frequencies it detects in the Modulator sound. If a frequency band gate opens, and there are no frequencies in the Carrier over the same band, that 'tonal' character in the Modulator will be lost as it does not exist in the Carrier sound. NOTE: See the Carrier Synthesizer section below for more details on how to

Tube Warmth for Your MixVintage Vibe, Drive and the Magic Tone of the 1567A Tube Mixer. A Beast on Bass and Drums.Introducing Radiator, a dual drive tube input channel and EQ, based on the classic Altec 1567A tube mixer from the 1960s.The original Altec 1567A hardware was a rack-mounted five-input tube mixer with removable transformers, a simple two-knob EQ, an unmistakable green faceplate, and a whopping 97 dB of gain. The sound, by today’s standards, is coloured and gritty, with a heaping helping of good old-fashioned hardware noise. In its day, it was used on many early Motown hits and found its way into the PA racks of countless churches and school auditoriums across the USA.A Bit of HistoryThe unmistakable green-faced Altec gear, and in particular the 1566A and 1567A, played a big part in shaping the early “sound” of Motown between 1961 to 1964. Songs by greats like The Four Tops, The Marvelettes and The Supremes went through a 1567A mixer to the massive three-track recorder. Ahhh, when life was simple.These mic preamps and mixers have a very coloured warm sound and are very loud. The EQ is as simple as it gets, with one knob for bass, and another for treble. After Motown, and after much gear came and went, analog diehards began seeking out the 1566A and 1567A as inexpensive sources for real tube sound.Motown Records Chief Engineer, Russ Terrana, used the 1567A extensively and it became part of the distinctive Motown sound. Producer Matt Wallace was a very big fan. Butch Vig and Billy Bush are also fans.Radiator brings the classic Altec tube sound to desktop recording rigs, capturing the distinctive warmth and punch of the original hardware. Featuring the modelled bass and treble tone controls from the original unit, a mix control for easy parallel processing, and the saturation and harmonic effects of the original hardware’s input and output amplifiers.All of these different circuit elements interact, allowing a wide range of tones to be created with just a few simple knobs. Plus Soundtoys lets you decide if the original noise is on or off.Over the past few years, the Altec mixers have been picked up by recording studios as an inexpensive way to bring analog colour and character to computer-based digital recording. With producers like Matt Wallace of early Maroon 5 fame utilizing the 1567A on their early hits, and now bands like the Black Keys (who had a custom console made from Altec 1567A) the demand, and price, for these funky little colour boxes have soared.Computer recordists everywhere can now get the Altec tube sound – on every input channel, without the hassles of interfacing to esoteric analog gear, and at a much lower cost. Radiator also includes Little Radiator, a simpler single-stage tube pre-amp model based on the Altec 1566A hardware, the little brother of the Altec 1567A.Features Analog-modelled tube mixer with EQ Independent input and output amplification stages each add their own character Bring the sound of a Motown-era classic to your